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Pyotr Ilyich Tchaikovsky's Symphony in E-flat, was commenced after the Symphony No. 5, and was intended initially to be the composer's next (i.e. sixth) symphony. Tchaikovsky abandoned this work in 1892, only to reuse the first movement in the single-movement Third Piano Concerto, Op. 75, first performed and published after his death in 1895. Two other movements were reworked for piano and orchestra by Sergei Taneyev as the ''Andante and Finale'', which was published as Tchaikovsky's Op. posth. 79 in 1897. Between 1951 and 1955, Soviet composer Semyon Bogatyrev reconstructed the symphony from Tchaikovsky's sketches and various re-workings. This version was premiered on February 7, 1957, in Moscow by the Moscow Region Philharmonic Orchestra conducted by Mikhail Terian, and was published by the State Music Publishers in Moscow in 1961. It was first recorded by the Philadelphia Orchestra under Eugene Ormandy in 1962, soon after they gave the U.S. premiere of the work (February 16, 1962). ==Form== The Bogatyrev reconstruction follows the traditional four-movement pattern: #Allegro brillante (in E flat major) #:This movement was used for the Third Piano Concerto, Op. posth. 75. #Andante (in B-flat major) #:Bogatyryev used the ''Andante'' from the ''Andante and Finale'' for Piano and Orchestra, Op. posth. 79, which had been constructed from Tchaikovsky's sketches by Sergei Taneyev. More recently, it was reused as the slow movement of a projected Cello Concerto. #Scherzo: Vivace assai (in E-flat minor) #:Perceiving that Tchaikovsky would have written a scherzo for this symphony, Bogatyryev orchestrated this piece from Tchaikovsky's ''Scherzo-Fantaisie'', Op. 72, No. 10. #Finale: Allegro maestoso (in E-flat major) #:Bogatyryev used the ''Finale'' from the ''Andante and Finale''. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Symphony in E flat (Tchaikovsky)」の詳細全文を読む スポンサード リンク
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